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The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Genghis Khan (1162–1227), born Borjigin Temujin, was the founder, Khan (ruler) and Khagan (emperor) of the Mongol Empire, which became the largest contiguous empire in history after his death. He came to power by uniting many of the nomadic tribes of northeast Asia. After founding the Mongol Empire and being proclaimed 'Genghis Khan', he began the Mongol invasions that would ultimately result in the conquest of most of Eurasia. These included raids or invasions of the Kara-Khitan Khanate, Caucasus, Khwarezmid Empire, Western Xia and Jin dynasties.<br/><br/> These campaigns were often accompanied by wholesale massacres of the civilian populations – especially in Khwarezmia. By the end of his life, the Mongol Empire occupied a substantial portion of Central Asia and China. Mongolian Information: The founder of the Mongolian State, Temujin Genghis Khan, was born in 1162, the black horse year,in Deluunboldog on the bank of river Onon,Hentei Aimag as the eldest son of Yesuhey Baatar and princess Oulun. He assumed the throne in 1206,the red tiger year, and passed away in 1227,the red pig year.The first capital of his empire was in Hudou aral on Herlen River,Present Avarga Toson.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
Socrates (Greek: Σωκράτης, c. 469 – 399 BCE) was a classical Greek Athenian philosopher. Credited as one of the founders of Western philosophy, he is an enigmatic figure known chiefly through the accounts of later classical writers, especially the writings of his students Plato and Xenophon, and the plays of his contemporary Aristophanes. Many would claim that Plato's dialogues are the most comprehensive accounts of Socrates to survive from antiquity.<br/><br/> Through his portrayal in Plato's dialogues, Socrates has become renowned for his contribution to the field of ethics, and it is this Platonic Socrates who also lends his name to the concepts of Socratic irony and the Socratic method, or elenchus. The latter remains a commonly used tool in a wide range of discussions, and is a type of pedagogy in which a series of questions are asked not only to draw individual answers, but also to encourage fundamental insight into the issue at hand. It is Plato's Socrates that also made important and lasting contributions to the fields of epistemology and logic, and the influence of his ideas and approach remains strong in providing a foundation for much western philosophy that followed
A page from illuminated codex containing a prayer attributed to ‘Alī ibn Abī Ṭālib, the fourth caliph of Islam, the manuscript by Shaykh Kamāl ibn ‘Abd al-Ḥaqq al-Sabzawārī of Astarabad (present-day Gorgan, Iran).
Abū Jaʿfar Abdullāh al-Māʾmūn ibn Harūn (also spelled Almamon, Al-Maymun and el-Mâmoûn, Arabic ابوجعفر عبدالله المأمون) (September 13, 786 – August 9, 833) (المأمون) was an Abbasid caliph who reigned from 813 until his death in 833.<br/><br/> Illumination from the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE).
Socrates (Greek: Σωκράτης, c. 469 – 399 BCE) was a classical Greek Athenian philosopher. Credited as one of the founders of Western philosophy, he is an enigmatic figure known chiefly through the accounts of later classical writers, especially the writings of his students Plato and Xenophon, and the plays of his contemporary Aristophanes. Many would claim that Plato's dialogues are the most comprehensive accounts of Socrates to survive from antiquity.<br/><br/> Through his portrayal in Plato's dialogues, Socrates has become renowned for his contribution to the field of ethics, and it is this Platonic Socrates who also lends his name to the concepts of Socratic irony and the Socratic method, or elenchus. The latter remains a commonly used tool in a wide range of discussions, and is a type of pedagogy in which a series of questions are asked not only to draw individual answers, but also to encourage fundamental insight into the issue at hand. It is Plato's Socrates that also made important and lasting contributions to the fields of epistemology and logic, and the influence of his ideas and approach remains strong in providing a foundation for much western philosophy that followed
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
The Jāmiʿ al-tawārīkh, (Mongolian: Судрын чуулган, Sudar-yn Chuulgan; Arabic: جامع التواريخ ‎; Persian: جامع‌التواریخ ), ('Compendium of Chronicles') or Universal History is an Iranian work of literature and history written by Rashid-al-Din Hamadani at the start of the 14th century.
The Minaret of Jam is a UNESCO World Heritage Site in western Afghanistan. It is located in the Shahrak District, Ghor Province, by the Hari River. The 65-metre high minaret, surrounded by mountains that reach up to 2400m, was built in the 1190s, entirely of baked-bricks. It is famous for its intricate brick, stucco and glazed tile decoration, which consists of alternating bands of kufic and naskhi calligraphy, geometric patterns, and verses from the Qur'an (the surat Maryam, relating to Mary, the mother of Jesus).<br/><br/> For centuries, the Minaret was forgotten by the outside world until rediscovered in 1886 by Sir Thomas Holdich, who was working for the Afghan Boundary Commission. It did not come to world attention, however, until 1957 through the work of the French archaeologists André Maricq and Gaston Wiet. Later, Werner Herberg conducted limited surveys around the site in the 1970s, before the Soviet invasion of 1979 once again cut off outside access.<br/><br/> The archaeological site of Jam was successfully nominated as Afghanistan's first World Heritage site in 2002. It was also inscribed in UNESCO's list of World Heritage in Danger, due to the precarious state of preservation of the minaret, and results of looting at the site.<br/><br/> The circular minaret rests on an octagonal base; it had 2 wooden balconies and was topped by a lantern. It is thought to have been a direct inspiration for the Qutub Minar in Delhi, which was also built by the Ghurid Dynasty. After the Qutub Minar in Delhi, India, which it inspired, the Minaret of Jam is the second-tallest brick minaret in the world.<br/><br/> The Minaret of Jam belongs to a group of around 60 minarets and towers built between the 11th and the 13th centuries in Central Asia, Iran and Afghanistan, ranging from the Kutlug Timur Minaret in Old Urgench (long considered the tallest of these still in existence) to the tower at Ghazni. The minarets are thought to have been built as symbols of Islam's victory, while other towers were simply landmarks or watchtowers.
The Minaret of Jam is a UNESCO World Heritage Site in western Afghanistan. It is located in the Shahrak District, Ghor Province, by the Hari River. The 65-metre high minaret, surrounded by mountains that reach up to 2400m, was built in the 1190s, entirely of baked-bricks. It is famous for its intricate brick, stucco and glazed tile decoration, which consists of alternating bands of kufic and naskhi calligraphy, geometric patterns, and verses from the Qur'an (the surat Maryam, relating to Mary, the mother of Jesus).<br/><br/> For centuries, the Minaret was forgotten by the outside world until rediscovered in 1886 by Sir Thomas Holdich, who was working for the Afghan Boundary Commission. It did not come to world attention, however, until 1957 through the work of the French archaeologists André Maricq and Gaston Wiet. Later, Werner Herberg conducted limited surveys around the site in the 1970s, before the Soviet invasion of 1979 once again cut off outside access.<br/><br/> The archaeological site of Jam was successfully nominated as Afghanistan's first World Heritage site in 2002. It was also inscribed in UNESCO's list of World Heritage in Danger, due to the precarious state of preservation of the minaret, and results of looting at the site.<br/><br/> The circular minaret rests on an octagonal base; it had 2 wooden balconies and was topped by a lantern. It is thought to have been a direct inspiration for the Qutub Minar in Delhi, which was also built by the Ghurid Dynasty. After the Qutub Minar in Delhi, India, which it inspired, the Minaret of Jam is the second-tallest brick minaret in the world.<br/><br/> The Minaret of Jam belongs to a group of around 60 minarets and towers built between the 11th and the 13th centuries in Central Asia, Iran and Afghanistan, ranging from the Kutlug Timur Minaret in Old Urgench (long considered the tallest of these still in existence) to the tower at Ghazni. The minarets are thought to have been built as symbols of Islam's victory, while other towers were simply landmarks or watchtowers.
The Minaret of Jam is a UNESCO World Heritage Site in western Afghanistan. It is located in the Shahrak District, Ghor Province, by the Hari River. The 65-metre high minaret, surrounded by mountains that reach up to 2400m, was built in the 1190s, entirely of baked-bricks. It is famous for its intricate brick, stucco and glazed tile decoration, which consists of alternating bands of kufic and naskhi calligraphy, geometric patterns, and verses from the Qur'an (the surat Maryam, relating to Mary, the mother of Jesus).<br/><br/> For centuries, the Minaret was forgotten by the outside world until rediscovered in 1886 by Sir Thomas Holdich, who was working for the Afghan Boundary Commission. It did not come to world attention, however, until 1957 through the work of the French archaeologists André Maricq and Gaston Wiet. Later, Werner Herberg conducted limited surveys around the site in the 1970s, before the Soviet invasion of 1979 once again cut off outside access.<br/><br/> The archaeological site of Jam was successfully nominated as Afghanistan's first World Heritage site in 2002. It was also inscribed in UNESCO's list of World Heritage in Danger, due to the precarious state of preservation of the minaret, and results of looting at the site.<br/><br/> The circular minaret rests on an octagonal base; it had 2 wooden balconies and was topped by a lantern. It is thought to have been a direct inspiration for the Qutub Minar in Delhi, which was also built by the Ghurid Dynasty. After the Qutub Minar in Delhi, India, which it inspired, the Minaret of Jam is the second-tallest brick minaret in the world.<br/><br/> The Minaret of Jam belongs to a group of around 60 minarets and towers built between the 11th and the 13th centuries in Central Asia, Iran and Afghanistan, ranging from the Kutlug Timur Minaret in Old Urgench (long considered the tallest of these still in existence) to the tower at Ghazni. The minarets are thought to have been built as symbols of Islam's victory, while other towers were simply landmarks or watchtowers.